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Pdf files by Kathleen Kinder

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Kathleen Kinders Books Available as PDF Files
COMING SOON
Passap System: Knitting and Pattern Techniques Volume 1 This volume is for all Passap Duomatic and E-6000 knitting machines. All stitch patterns shown can be manually selected for Duomatic owners. Material has been widely drawn from Passap and non-Passap literature as well as out of print Passap model books. Main sections include system overviews, slip stitch and tuck stitch patterns as well as garment shaping for double bed knitting. A must for Passap owners. 93 packed pages

Retail $20.00

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Passap System: Knitting and Pattern Techniques Volume 2 by Kathleen Kinder.

For Duomatics with Deco and E6000 Knitting Machines. 92 packed pages.

Contents:
Babies and Children's knitting.
Measurements for Babies and children.
Skirts.
Pleats and ribs.
Swatches and tensions.
Waistbands and making up.
Stitch Pattern Groups (To photocopy)
Stitch Patterning Systems.
Computer knitting systems.
Why a square grid.
Designing for a fixed 40 stitch repeat.
Ornament - some historical considerations.
The Rhom Geo and classifying the patterns.
Key to the Pattern Groups. (and the transfer lock)
Pattern Groups begin
Autumn leaves project

Excellent book for Passap owners.
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E6000 Card Reader & Jacquard
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Electronic Knitting
Machine Knitting Book of Ribber Volume 2
Machine Knitting Book of Ribber Volume 1 PURCHASE NOW
Hand Tooling for the Chunky Volume 1

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Hand Tooling for the Chunky Volume 2

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Resource for Machine Knitting
Second Resource for Machine Knitters
Mosaic Floatless Fairaisle First Published in 1987 by Kathleen Kinder. Over 50 patterns for standard and chunky punchcard knitting machines with single or double bed color changers. 96 Pages pages, one color photo, many black and white photos and detailed diagrams.
This book does not contain complete instructions for knitted items, only patterns for the knitting machine. If you want to know how these mosaic and maze patterns, with only one color per row, are constructed, you will find all necessary information in this book.
Mosaic patterns can be knit as tuck or slip stitch or as a mixture, and as Kathleen shows examples for all variations. Slip stitch yields a smoother result, while tuck stitch provides a more textured surface, and of course your gauge swatches will be different. The book contains borders as well as allover patterns. The author also provides information about varying existing patterns, knitted repeats or counter changing the colors by removing or adding two rows.
All patterns shown are, due to their nature, very graphic and stylized. Their very short floats make them particularly suitable for children's garments, but the sturdy knitting technique is also a good choice for, say, bags and similar projects which should not have a lot of drape.


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Art of Motif Knitting & 24 Stitch First published in 1988. This book has 90 packed pages, two color plates, many photos and diagrams. This book deals with knit-in patterns, especially motifs. The author defines motifs as “recognizable and/or representational forms”, which can be a plant or part of it, an animal, a human being or any daily life object. Such motifs can be knit single or as repeatable patterns, and they can be combined to form complete scenes. In the book, she explains in detail how to find source material for motif design and how to develop patterns from it which fit into a 24-stitch punch card by using stitch-related graph paper, which nowadays can be found on the internet in virtually any gauge. Sideways knit motifs are covered as well.
Along the way you find countless tips for dealing with long floats, spacing motifs in different ways, using color and clever color changes and for electronic knitting machines.
One third of the book shows interesting motif combinations. All in all, the book contains more than 90 punch card patterns, which can be used as is. But if you have worked your way through the book, you will be up to trying the given techniques on your own and design your own motifs, patterns and scenes.
Passap Duomatic Deco and Forma: Patterns and Comment for All Duomatics
Mosaic Floatless Fair-Isle (20 and 40 stitch) Over 50 patterns for Duomatic Decos and electronic knitting machines with single or double bed color changers. 96 packed pages.
his book does not contain complete instructions for knitted items, only patterns for the knitting machine. If you want to know how these mosaic and maze patterns, with only one color per row, are constructed, you will find all necessary information in this book.
Mosaic patterns can be knit as tuck or slip stitch or as a mixture, and as Kathleen shows examples for all variations. Slip stitch yields a smoother result, while tuck stitch provides a more textured surface, and of course your gauge swatches will be different. The book contains borders as well as allover patterns. The author also provides information about varying existing patterns, knitted repeats or counter changing the colors by removing or adding two rows.
All patterns shown are, due to their nature, very graphic and stylized. Their very short floats make them particularly suitable for children's garments, but the sturdy knitting technique is also a good choice for, say, bags and similar projects which should not have a lot of drape.


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Inspiration Of Lace Knitting By Kathleen Kinder
The following is a description of the brand lace knitting book by Kathleen Kinder that is now available. Kathleen Has done a wonderful job once more. This is for hand knitting and lace knitting and is 116 pages long. The cover is in color and the rest is in black and white but they come out quite nicely. You can see the stitch work excellently. The book weighs 11 ounces. These will be available only through Country Knitting of Maine.


From Kathleen:

The publication of this book is a great occasion. I never expected it to happen. I am a founder member of the Knitting & Crochet Guild (UK). It was established in 1978 to encourage the crafts of hand and domestic machine knitting and crochet. Its founding principles are Education, Innovation and Preservation. Over the years the KC&G has accumulated a quite unique Collection of publications, patterns and tools going back to at least Victorian times (some items earlier). More importantly, it now owns a large collection of hand, machine- knitted and some frame-knitted lace (as well as crochet). These are housed at Lee Mills near Huddersfield in Yorkshire. Visit the web site (where I also have some articles) www.kcguild.org.uk and read all about it.

In 2006, I responded to a suggestion in Slipknot the Guild's magazine that someone do a study of one of the historic items in the Collection. I chose a finely hand-knitted 1891 sampler of 63 patterns in the Collection. The arrangement was for the K&CG to publish my study which took 10 months of solid work. For various reasons this did not happen. I forgot all about the CD until Linda Williams wrote and asked if I had anything new for knitters. I sent the CD to her and she immediately recognised the real value of what I had achieved.. The work contains material and insights into lace knitting which no one has ever written about before .

As many people will know, my main knitting, teaching and writing career has been concerned with machine knitting., but I am also deeply interested in and have a real love of hand knitting. That is not the only reason why I have brought the 2 crafts together in this book I knew for a study to have integrity I needed to include in its brief the ancestor of modern domestic machine knitted lace, the lace from the 18th and 19th c hand frame. In 1977, I made 2 visits to the Framework Museum at Ruddington near Nottingham and was allowed to photograph examples of the beautiful knitted lace produced on these early machines. What really encouraged me is that fact that in the K&CG Collection in Lee Mills there are lace examples from all 3 knitting crafts as well as copies of very old publications, and I was very kindly allowed to photograph, read and handle all that I required. It was through my close examination and knitting of the Sampler's various lace patterns that I really came made some very intriguing discoveries in relation to the structure of lace patterning.

Here's what's in the book. First, there is an illustrated article of The History of Knitted Lace, again quite unique because it draws on all 3 knitting crafts, giving clear indication of cross-fertilisation Basing my conclusions not only on 19th c hand knitting publications but also on written 18th c and early 19th c framework records as well as on analysis of pattern structure, I offer suggestions regarding which patterns were the originals and which were adaptations or copies. I found I could often relate my findings to many of the patterns on the Sampler.

Next follows a chapter on The Background to Charts and Symbols. It may surprise readers to know that they go back a long way too. I explain that I used no expensive programme to chart the lace patterns but simply, MS Paint, in Accessories on every PC. I employ the commonly accepted Japanese symbols. There is a page of those and a page of abbreviations before the study of each of the 63 patterns, each charted and written out for those who can't cope with charts. I could not have done the work without my charting expertise. You can see exactly from a chart how a pattern is formed and how it is to be knitted. The penultimate section is for machine knitters, with 20 patterns especially for them, but also for hand knitters too. I conclude with how to design,draw and annotate the schematics for simple garment shapes. There is a comprehensive book list and some web sites to look up. In all, I've done my best to ensure the book is a rich resource for hand and machine knitters, and it would not have seen the light of day but for Linda Williams. I owe her a great debt of gratitude indeed.

KK Book Of Lace PDF
copyright 2005-2006 Country Knitting Of Maine

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All rights reserved. No photocopying or sharing without written permission from Country Knitting of Maine.